The Peabody Essex Museum in Salem continues to provide thought provoking and well executed exhibits for curious minds on the north shore and all of New England. Plan a winter day at this regional gem and get re-inspired.
In Plain Sight: Discovering the Furniture of Nathaniel Gould; On view to March 29, 2015-Located in the: Special Exhibition Galleries
Once an obscure figure in American furniture history, Nathaniel Gould is now recognized as Salem’s premier 18th-century cabinetmaker. New scholarship, based on the recent discovery of his detailed account ledgers and daybooks, has led to the identification and re-attribution of many pieces of furniture, including monumental desks and bookcases, bombé chests and scalloped top tea tables carved from the finest imported mahogany. Gould’s work is distinguished by its careful attention to graining, distinctive carved ball-and-claw feet, extended knee returns and superbly carved pinwheels and scallop seashells. In Plain Sight presents 20 exemplary works of Gould’s furniture alongside paintings, archival materials, decorative arts and digital media elements that provide insight into the makers and consumers of 18th-century American design and culture.
Starting February 21 to June 21, 2015, the PEM will present an exhibition celebrating the beauty and sensuality of wood art.
International in scope and diverse in form, Audacious: The Fine Art of Wood from the Montalto Bohlen Collection showcases one of the world’s finest contemporary wood art collections with more than 100 singular works. Alluring surfaces and textures made from both familiar and exotic woods, make the pieces featured in Audacious as surprising as they are beautiful.
Some are recognizable as vessels, bowls and vases while others are completely abstract, emphasizing form over function. The exhibition – on view from February 21 to June 21, 2015 – coincides with Bob and Lillian Montalto Bohlen’s donation of 47 works of contemporary wood art to PEM, which enhances the museum’s prestigious collection of American decorative art. Through the use of lathes, turning, carving, painting, even blowtorches and chainsaws, the featured artists push the boundaries of the medium while taking into consideration the unique characteristics of wood grain, tone, color and texture.
“This amazing collection shows the dynamic nature of contemporary wood art,” said Dean Lahikainen, PEM’s Carolyn and Peter Lynch Curator of American Decorative Art. “The pieces are at times difficult to reconcile with our expectations about the look and feel of wood.” Audacious also celebrates how contemporary wood artists integrate storytelling and personal narrative into their work. Binh Pho’s 2009 carved and painted box elder vase Seven Poppies (pictured right) is layered in symbolic narrative. As Pho explains: “the dragonfly represents the military helicopters of my childhood in Vietnam … the peacock feather represents the dream, poppies speak of mystery and clouds represent change. When people become familiar with my stories – whether autobiographical or fictional – they understand my works and what I seek to share.”
Bob and Lillian Montalto Bohlen, based in Massachusetts, have tirelessly promoted contemporary wood artists and have collected their works for the last two decades, leading an ambitious effort to promote artistic woodworking as a fine art. “In 1996, we decided we wanted to convince the art world that the best artists working in wood were artists — not craftspeople,” said Bob Bohlen. “So that’s been our singular focus: to persuade the art world and the museum world that the great wood artists are equivalent to the great ceramic artists, painters and sculptors.”The Bohlens have directly supported nearly two dozen contemporary wood art artists, providing them the freedom to take creative risks and deeply explore their practice.
One such artist who benefited from the Bohlens’ patronage is Hugh McKay, who began to experiment with kilns and incorporate cast glass into his work, adding a striking new dimension and feel. He also experiments with casting in other materials. Four of the Iowa-based artist’s resulting pieces — crenulated orbs made of madrone burl, cast glass, bronze and nickel — are on display in Audacious.
OPENING DAY | SATURDAY, FEBRUARY 21 | 11 am-4 pm